About
Historically, Sporting Art grew out of the desire to chronicle events and bloodlines. Art critics have long placed the painter of horses on a lower pedestal, but I say, ignore them. There is a poetry to be found in the look and feel of it all and I believe it is one of the best subjects a painter could find, one that constantly challenges and surprises. It combines my love of painting the landscape, portraits and figures, and best of all, has introduced me to a world of remarkable people and events, and a culture to which I could contribute.
I came to the subject by way of a portrait commission for a Master of a local hunt. I thought I should go out to see what it was all about and that was all it took; I found a pageant, a sport, a pastime. Foxhunting was my focus at first, which lead me to point to points, and in turn to the world of the thoroughbred in Maryland. Breeding operations, racing barns, early works, tracks and backstretches all offered up rich subject matter and continuing interest. At length, I proposed an “Official Artist” relationship to the National Steeplechase Association and they graciously took me up on it. This has led to annual covers of the American Steeplechasing yearbook, and an annual show in support of the association. Of all the variety of events, my favorite is the informal country point to point in the early spring, attended by the connections of the runners that day, and the hosting hunt club.
For races, my habit is to work on location, most often at the paddock. I set up a small easel and work quickly in gouache, making fast impressions of the scene. I keep a camera handy and take a walk around to gather useful shots for studio work later. Friendly photographers are a source of additional reference material; there is just too much happening to cover it all. For hunt meets, I like to follow with a camera, but also make time to set up and sketch the overall scene. It all requires a quick approach, which I favor in painting. Rapid brushwork, broad effects and attention to form and light are the keys to good results. Expression without description is my aim, to make the suggestion of any particular feature look just right without fussy detail.
But I regard the subject as broader than just the races and meets. The setting is the country and indeed the people who make it work. I make informal portraits of the large cast of characters, and views of the farms and woods. The style and attire have their flavor, as do the homes and furnishings. It’s a scene! My studio and home are in a pair of Victorian carpenter gothic buildings on the remainder of an old family estate in the Greenspring Valley of Baltimore County, Maryland, a short drive from where we run the Maryland Hunt Cup. Inspiration is out the front door, and I paint my wife’s garden and our home as often as anything else. My artistic calendar runs parallel to the racing and hunting seasons, busy in the spring and fall, with time in the summer and winter to catch up on the commissions and studio projects in hand.
Hope to see you at the races!
Official Artist of the National Steeplechase Association
I have had the pleasure of serving as the official artist for the NSA since I was commissioned in 2018 to paint the cover art for “American Steeplechasing,” 42nd edition, the annual publication of record for the sport. Since then, I have provided original paintings for the covers of five editions, with chapter headings featuring sketches from that season. I look forward each year to receiving my credentials and through the NSA and various race committees, have gained access to work on location.
Work from the season is featured at an annual art show to benefit the Temple Gwathmey Steeplechase Foundation. TGSF is the charitable arm of steeplechasing and the show helps fund programming. I helped expand the show to an online format with the formation of thesteeplechasegallery.org. The gallery hosts the annual show, featuring work by a growing group of other equine artists.
I would like to see an evolution from one artist into more of a program that introduces new artists to the experience of working live at the races. Truly a unique twist on the concept of drawing from life, and the interaction with fans is great fun, an added bonus that fosters the public’s appreciation of the sport.
Awards and Recognitions
American Academy of Equine Art Founder’s Award for Excellence in Classical Equine Painting 2022 - “Wet Valentine”
Juried into Portrait Society of America Members-Only Show 2022 - “Derby Day”
Juried into Oil Painters of America National Exhibition 2022 - “Silhouette”
Juried into American Impressionist Society 23rd Annual National Exhibition 2022 - “The Persimmon Tree”
Juried into NOAPS Best of America Small Works National Exhibition 2022 - “The Little Mirror”
Juried into the American Impressionists Society Small Works Showcase 2022 - “Golden Hour”
Juried into NOAPS 31st Best of America National Exhibition 2021 - “The Armillary”
Juried into American Impressionist Society 22rd Annual National Exhibition 2021 - “Tadpoles”
American Academy of Equine Art Signature Status awarded 2020
American Academy of Equine Art Alexander Mackay Smith Memorial Award 2019 - “Fording the Creek”
American Academy of Equine Art Founder’s Award for Excellence in Classical Equine Painting 2018 - “Ben’s Cat”
Official Artist - National Steeplechase Association since 2018
